A former military chaplain is wracked by grief over the death of his son. Mary is a member of his church whose husband, a radical environmentalist, commits suicide, setting the plot in motion.
- Country:
- USA, 2017
- Group:
- Competition
- Duration:
- 108'
- Director:
- Paul Schrader
- Screenplay:
- Paul Schrader
- Cast:
- Amanda Seyfried, Ethan Hawke, Cedric the Entertainer
- Festivals:
- 2017 Venecija / Venice Film Festival
- Filmography:
-
2017 First Reformed
2016 Dog Eat Dog
2014 Dying of the Light / Umiranje svetlosti
2008 Adam Resurrected
2007 The Walker / Šetač
2002 Auto Focus / Auto fokus
1997 Affliction / Na ivici razuma
1992 Light Sleeper / Fatalna nesanica
1985 Mishima:- A Life in Four Chapters / Mišima:
- Život u četiri poglavlja
1982 Cat People / Ljudi mačke
1980 American Gigolo / Američki žigolo
1978 Blue Collar / Plava kragna - A Life in Four Chapters / Mišima:
- Cinematography:
- Alexander Dynan
- Editing:
- Benjamin Rodriguez, Jr.
- Music:
- Nicci Kasper, Brian Williams
- Producer:
- Jack Binder, Greg Clark, Gary Hamilton, Victoria Hill, David Hinojosa, Frank Murray, Christine Vachon
- Production:
- Killer Films, Fibonacci Films, Arclight Films, Omeira Studio Partners
- Distributer:
- Dexin Film
Showing
Time: 22:00
Price: 400 RSD
Sava centar
Time: 13:30
Price: 300 RSD
Sava centar
Time: 15:00
Price: 340 RSD
Dom omladine
Time: 20:30
Price: 400 RSD
Roda Cineplex
Time: 17:00
Price: 300 RSD
Jugoslovenska kinoteka, Svečana sala
Time: 20:30
Price: 400 RSD
Cineplexx Delta City
Paul Joseph Schrader is an American screenwriter, film director, and film critic. Schrader wrote or co-wrote screenplays for four Martin Scorsese films: Taxi Driver, Raging Bull, The Last Temptation of Christ, and Bringing Out the Dead. Schrader has also directed 18 feature films, including his 1982 remake of the horror classic Cat People, and also American Gigolo, Mishima: A Life in Four Chapters, Light Sleeper, Affliction, Auto Focus, etc.
Schrader excavates deep personal history and bares present-day anger and pain with a rare, wondrous intensity.
Richard Brody, New Yorker
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