Paris 1967. Jean-Luc Godard, the most renowned filmmaker of his generation, is shooting La Chinoise with the woman he loves, Anne Wiazemsky, 20 years his junior. Happy, in love, magnetic, they marry. But the film’s reception unleashes a profound self-examination in Jean-Luc. The events of May ‘68 will amplify this process, and the crisis that shakes Jean-Luc will change him profoundly, from star director to Maoist artist outsider, as misunderstood as he is impossible to understand.
- Country:
- Italy, France, Mianmar, 2017
- Group:
- Focus Europe
- Duration:
- 107'
- Director:
- Michel Hazanavicius
- Screenplay:
- Michel Hazanavicius
- Cast:
- Louis Garrel, Stacy Martin, Bérénice Bejo, Micha Lescot, Grégory Gadebois, Felix Kysyl
- Festivals:
- 2017 Kan, Minhen / Cannes Film Festival, Munich Film Festival
- Filmography:
-
2017 Le redoutable / Redoubtable / Siloviti
2014 The Search / Potraga
2011 The Artist / Umetnik
2009 OSS 117:- Rio ne répond plus / OSS 117:
- Lost in Rio
2006 OSS 117:- Le Caire, nid d'espions / OSS 117:
- Cairo, Nest of Spies
1999 Mes amis - Rio ne répond plus / OSS 117:
- Cinematography:
- Guillaume Schiffman
- Editing:
- Anne-Sophie Bion
- Producer:
- Florence Gastaud, Michel Hazanavicius, Riad Sattouf
- Production:
- Wild Bunch
- Distributer:
- MCF MegaCom Film
Showing
Time: 16:30
Price: 350 RSD
Sava centar
Time: 19:30
Price: 350 RSD
Cinegrand - Capitol Park Rakovica, sala 1
Mišel Azanavisijus rođen je i odrastao u Parizu, kao potomak litvanskih imigranata. Azanavisijus je pohađao umetničku školu i karijeru je započeo kao reditelj reklama i televizijskih programa. Godine 1999. režirao je prvi dugometražni film Mes amis, za koji je napisao i scenario, a u glavnoj ulozi se pojavio njegov rođeni brat Serž Azanavisijus. Veliki komercijalni uspeh na francuskim blagajnama postigao je parodijom na špijunske filmove OSS 117: Le Caire, nid d'espions i njegovim nastavkom OSS 117: Rio ne répond plus. Azanavisijus je postao poznat u međunarodnim okvirima zahvaljujući svom nemom filmu Umetnik, koji je postigao ogroman uspeh kod kritike i publike i doneo mu mnoštvo nominacija i nagrada.
Hazanavicius views this period as a sea change in the history of cinema: the moment when Jean-Luc Godard slipped through the looking glass, never to return.
Owen Gleiberman, Variety
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